kidloco2 wrote:Giorgio, if scenes are selling as they are I totally understand you are not going to change anything soon, but don't automatically think even for a second that if it's selling good everything must be superior as well, especially image q.
It's interesting how silently you passed my screens with "1 second" histograms in another thread which show excessive overexposure (some portions of the video has over 10% of the frame 255, 255, 255!), red channel bias and overall really poor post/IQ control skills. I know what you will reply - that we don't understand it etc. - yes, most of us don't, but of us do very well. Anyway unless we know exactly your workflow it's gonna be blah blah blah. P.S. I don't even think there's proper color correction and color grading involved in you process. P.P.S. Change your lens (they're good for still camera but limits your camcoder perforamnce) and shoot C-log for fucks sake!
Regarding pictures, I'd avoid them at all, I bet you can shoot one scene more per day if you omit them, it's not Met Art, no 20MPx stills needed. Stills from the 4k camcoder good enough, even better with cine lens.
Don't get me wrong, still a big fan of you, but when comes to arguing about IQ when it's clearly has issues, my blood starts boiling. And I'm really glad you had listened one year ago and resolved shadows and underexp. issues, but lately it's slipping again - the opposite way.
The product is better when it has better consistency in parameters, but you made it for yourself very hard with shooting daylight in front of huge windows with ever changing lighting conditions in Czech. But your decision.[/quote]
The light in CZ can change from minute to minute, I agree is strange, but technically I compensate manually where is possible, so it can take few seconds. This problem will be less visible in the winter then in the summer.
Lens: you are wrong, to use a cine lens will decrease the intensity of the video because of the many cut I will be forced to do for problems of focus.
C-Log: I tried and I do not like it.
Post production: with the LOG I am using the postproduction is not suggested (we tried and the result sucks), color correction alterare the nature of the color/light. Like I told you this LOG doesnt need correction.
I decided to use natural illumination, and I wont change. Even if with problematic connected to the change of light condition during the shooting, I think its better the artificial illumination.
I know you do not like my answer, but this is how it works.