Well, I'll say two things which are relevant to this topic, and I'm about to get very long-winded here, so just be warned...
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1.
I don't know how much you know about my history in porn, but I used to work with Sineplex in a planning and production capacity, until things went south over there, and then I took some time off and came back for a handful of self-funded shoots on my own, which I (generously) refer to as "prototype shoots" because they were intended mostly as a way for me to gain experience running a production by myself... now, don't get me wrong, they're definitely good scenes (surprisingly so, considering my inexperience), but I wasn't trying to realize any wild concepts like the one I've been laying out here. I was really just focused on getting the basics right and learning as much as I could, and boy, let me tell ya... producion ain't as easy as it looks.
I got the Sineplex gig on the basis of my ideas about porn and enthusiasm in talking about them here, which makes me the first person to ever break into the porn industry entirely through shit-posting, as far as I know.
One of the very first things I learned is that, while it's true that anyone can shoot porn (it's really not that hard), it is
waaaaay harder than it might look to shoot porn
well. The barrier to entry is very low, but the learning curve is insane, and no matter how much you try to study other people's work for inspiration, there is no substitute for actual production experience. The actual shooting itself is the easiest part, at least for me, but there is a lot of behind-the-scenes stuff you have to learn too, including everything from lighting to location scouting to production logistics. You have to gain a cursory understanding of hair and make-up in order to choose a "look" that works for your scene (and to know what to tell your HMU artist to get that look), how different looks can affect a scene, how different looks work with different facial types and outfits, etc... And that's just one example. If you care about getting the details right and and nailing the quality of your product, the learning curve is really quite massive.
That's why I did "prototype shoots", which you will see here one day soon (although
xxx can attest to my ability to procrastinate against my own self-interest, because as much as I love production, I truly hate post-production).
So the reason I think this is important in relation to the subject we're discussing is that I know, better than anyone here, how easy it is to
state an idea, yet how much work goes into actually
doing it and getting those details right. This idea in particular is such a specific, granular concept that I think it would fall flat and feel ridiculous if you couldn't get those details right.
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2.
This is something I used to talk about a lot with "SOS" and a couple other friends in the industry, but I think the best directors pour elements of their own sexuality into their work, and you can't just "force" another person's style because that always feels inauthentic. So any effort to "recreate" JYL's style is going to feel different, and that's not necessarily a bad thing, as long as the director in charge of the effort has
some kind of clear vision in his head. He has to really understand and appreciate the feeling he is trying to recreate, not just the technique, and it might be the case that he finds a way to create that feeling with new techniques and new ideas... And that's great! That's how porn evolves! You want that to happen, but you just have to be aware that it's never going to be
exactly the way it used to be.
For this same reason, I don't think directors should try this concept unless they really take the time to do their research and understand it. A half-assed attempt at creating this concept (or
anyone's concept) will almost certainly fail. I probably over-think these things, at least "SOS" always used to tell me that, but there's a balance somewhere in the middle. Directors need to be able to feel the impact of what they're making, and if this particular idea doesn't inspire them in that way, then it is best left to someone else to make the attempt. I think that's something all great directors (like "SOS") understand even if most of them are not consciously aware of it.
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tl;dr version: Porn is hard and directors need to have a connection with the feeling of their work.