One more thing that is crucial for movies. Here is an example with basic light setups.
Hope it helps our great producers in mastering their experience.
Note that most mainstream producers today use B and C, because otherwise American fake boobs and cellulite asses look disgusting and scary. On the other hand, LP books a lot of young and natural European beauties, so I don't think directors should always go the high-key route.
My best bet would be A, while B and D are also OK as long as details are still visible and it's not very bright or too dark. I hate strong overexposure (julesjordan, blacked, tushy) and I can't stand blur and color filters (21sextury, some Gonzo scenes).
Best examples of what I like from LP are most of Sineplex SOS movies (RS223, RS248 etc) and GIO as long as he avoids color filters and too much light (best combo is GIO207). I also liked the idea of "darker" movies (SZ1413, 1414) but I suggest more low-key lighting instead, more shadows and contrast. It shouldn't be just dark (SZ1394 is impossible to watch).
Just my 2 cents. What do you guys think?