justinwarren41 wrote:I agree with latina-girls-yes The Colombians and Brazilians are so ridicolously hot, love making porn, money, travelling and it shows in the work. Tipping point was 2021 when Natasha Teen emerged and even starting send her girls to Prague.
Natasha's role as 'fairy godmother' (though she would probably hate that description because she is still young, beautiful and making great content of her own) behind the rise and rise of lat-am xxx is fine testimony to how things are changing in the industry (and in wider society).
women players now being able to operate at the top level of xxx production, rather than being performers only for companies owned an run by men.
and that she rose up through the ranks to her position paying her dues at every stage (from performer to director to producer), rather than just being some rich man's son on the west coast who sees some quick return in xxx. she's a role model for women to respect
and while she will propably have making a decent living and providing security for her family at the top of her list of motivations for doing what she is doing, another less visible (but extremely important) aspect of what she is doing through her production studios is offering young women in colombia (and environs) who want to get into 'sex work' in order to improve their own situations, a viable, safe (regulated) and profitable alternative to all other options open to them. no pimps, no threats, no violent johns, no organised crime knocking on your door, no 'disappearances', but contracts, regular work, respectful co-workers, and the opportunity (for the best) to move beyond lat-am xxx and into even more lucrative US/euro porn
what would have been the other options for young women looking to make good money from sex work in colombia c2020 before Natasha started doing what she has done? all far more risky (even deadly) and far less rewarding
and because Natasha took the risk and decided to invest the proceeds from her own career into starting her own studios (rather than just leaving it safe in the bank) and made it work, it smoothed the way for a whole industry has grown up around her
so while several other performers/producers have all played their part (Oscar etc) in my mind the crown will always belongs to Natasha - the true queen of latin-american xxx - for bringing us what we now have
justinwarren41 wrote:IWhether it is Natasha Teen, Yummy or Mambo in Brazil, on South American girls flying to Europe to create incredible porn, this is where all my tickets go. And very recently only Yummy and Natasha Tee Films. I would agree to AGO has the best makeup, hair, video quality. I girl I like always looks 'improved' when they finally make it to Angelo's
i said somewhere here (maybe this thread or the poll) that most of my tickets this year so far have gone on yummy studios content (the appearance of Vivian Lola responsible for much of that), when i look at my consumption for just the last three months (so second half of year) i find that i'm buying far more NatashaTeen/Lancelot productions than Yummy, which is interesting and i hadn't realised until after i made that comment
most of this will due to Natasha/Lancelot finally getting their technical act together (which had been the studios achilles heels from the start). the scenes they are relasing at the moment are beautiful in 4k. the majority cleanly focused at all times, well lit (still som improvement possible their but a minor thing), and well directed and framed. as for getting the most beautiful and passionate models, that has never been a problem for the studios, but the presentation-styling of the models has also improved dramatically over the past year or so (Daniela Garcia looking like a supermodel in her last scenes)
alongside this while Yummy was my favourite studio at the beginning of the year, they have been getting wetter and wetter as the year has progressed, which may satisfy many on this forum (especially now Giorgio is moving from direction to production) but i don't much care for. it used to be a small section of the scene (middle or end), but now (as with Gio scenes) it's breaks every ten minutes for a piss break, which i find intrusive
i Yummy they would take more of their inspiration from AGO rather than Gio, and focus less on Gio style wet content, and more on AGO's rough-play and hard action style (and the premium styling of AGO's models, as already noted)
so it may yet prove to be the case that by the end of the year, content produced by Natasha/Lancelot will have made up the majority of my consumption
justinwarren41 wrote:Kinda of slow summer for the "Medellin to Prague" Pipeline
my one 'problem' with the latin-american studios generally is their slooooooooooow release schedule. one scene released each week (if that) for each studio, which means scenes featuring my favourite models are regularly months rather than weeks apart
i suppose the euro studios with their rapid production rates and daily releases have spoiled me there and i should learn to be more patient. but especially for new models, it's really frustrating
my favourite new performer, Kati Loritzo (she's stunning, you must check her out), released her debut for Natasha/Lancelot three weeks ago. will her next scene be released a month after her debut? or two months? before christmas even? or ever?
whereas were she a new model debuting in euroland, her follow up would usually be two weeks maximum after her debut, and the next two weeks after that
so that's the only big change i would like to see within the lat-am inudustry at present
btw, i've seen your comments around the forum and you seem super-connected and informed on the industry over there, so i wanted to ask if you know of any latin-american specific xxx forums that work much like this one?
i speak a little spanish (no portuguese alas) but it's odd that the focal point for english language discussion of lat-am xxx content is not based on the continent itself, but 3,000 miles away in rainy europe
well this post was stupidly long, but sunday is the only day i get with free time enough to write in detail, so why not?