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Why does every scene have the camera zoomed in where you can't see the girls whole body during the action

Gonzop0rnConnaisseur wrote:Why does every scene have the camera zoomed in where you can't see the girls whole body during the action

Usually, for the fake creampie at the end, or to do something shady off camera. You know... movie magic.

Nah, it happens throughout not just for the money shot.
What the OP has discovered is one of the major flaws of the camerawork here at av/lp.
People have complained about it for years now, and nothing is done.
@ OP yeah, it's terrible, it's poor technique, and the producers really don't care.
How simple would that be to change, yet they don't.

Giorgio is the worst offender by far. An obsession with facial close-ups and particularly early in his scenes just as the anal action is beginning. It's like he literally goes "OK there's the anal action....must take that off the screen....long lingering shot of BJ I think is what the viewers want right now". It's particularly frustrating because the early anal action is in many ways the best and most visceral. You get the raw animal response from the girl and it just sets the tone of the scene really well. I'm not saying that you don't get a lot of well framed anal action in Giorgio's scenes, because you do. But I find them difficult to settle with, because he seems so at odds with what I want to see. I practically scream "Nooo!" at the screen throughout. I'm not really one for facial close-ups at all (if the shot is framed well you can focus on the girl's face if you want) but can understand them later in scenes once they have bedded in and a fresh take becomes useful. But Giorgio just seems desperate to go to them at every turn. It's quite bizarre I think. Is it based on any kind of customer feedback? Are people telling him to take the anal action out of the scene for large sections? I think probably it's just a sense of over-fussiness....like he isn't directing if he isn't moving about a lot. The maxim "less is more" is one he needs to learn.

None of the other studios really have this problem I don't think.

I'm not sure what happened to the director called (I think) Frank Lentini who shot a few scenes about a year ago but his framing was perfect. There was a scene with Anna de Ville and Freya Dee where he didn't zoom in once I don't think - just captured the whole scene from a sensible distance with all of the girls in shot throughout. Absolutely perfect. Highly recommended scene.