rroper472 wrote:Not enough new american talent....and Big Booty girls!!
Are you really into that yelling and screaming for 40 minutes continuously?
They just can't seem to stop talking and talking and talking those standard one liners.
Instant skip.
rroper472 wrote:Not enough new american talent....and Big Booty girls!!
ClaireObscur921 wrote:rroper472 wrote:Not enough new american talent....and Big Booty girls!!
Are you really into that yelling and screaming for 40 minutes continuously?
They just can't seem to stop talking and talking and talking those standard one liners.
Instant skip.
prophetman13 wrote:simple - not enough closeups
prnacc55555 wrote:prophetman13 wrote:simple - not enough closeups
Disagree. I prefer to see the girls face+body too.
trueEroskaven wrote:prnacc55555 wrote:prophetman13 wrote:simple - not enough closeups
Disagree. I prefer to see the girls face+body too.
Disagree with your disagree, i think there should be a balance between closeups and full body shots, that balance definitely doesn't exist here
vvvv84335 wrote:
American pornstars are a huge turnoff with their overacting mostly.
ClaireObscur921 wrote:rroper472 wrote:Not enough new american talent....and Big Booty girls!!
Are you really into that yelling and screaming for 40 minutes continuously?
They just can't seem to stop talking and talking and talking those standard one liners.
Instant skip.
beklof wrote:It was interesting, I was just watching a Ria Sunn scene from 2019 called "Ria Sunn takes three cock in the ass" SZ1839 And everything in that scene was better done than in today's scenes! The camera work, the camera angles, the close-ups, the male actors, the bigger cocks, and so on. All of them! And actually, I wasn't surprised at all. I've had this feeling for a while. So the big studios and their scenes are no longer at the same level as they were just a few years ago. When I look at what the major studios have to offer these days, more and more often I turn my head and say to myself...this is boring, seen a thousand times, nothing new, nothing exciting, nothing interesting.
nilis wrote:3. Long history short: these are some of the burdens of mass cultural production in year 2023. I know this may sound weird, but it's all about economics in the end, regardless if you sell smartphones or porn. And on top of it, there's a very "vocal" audience that's going to come for you if you don't give them what they want when they want it, whether it is a new iPhone model or a fresh batch of piss-intensive DAP porn.
4. "Yeah, but we know most new iPhones are basically the same as the previous version, only with minor improvements: they just put on a new camera and have you buy it at top price", some of you might say. And yes, that is also true. But how many smartphone users are clever and tech-savvy enough to weigh those elements before making their next buy? The same could be said of heavy porn users, some of which are indeed very vocal in this forum in requesting their ideal man-to-girl ratio, their favourite set of moves to be performed over and over again, or simply to have the studios book the talent they want only....or else they will threat with boycott (?).
dap-addict wrote:nilis wrote:3. Long history short: these are some of the burdens of mass cultural production in year 2023. I know this may sound weird, but it's all about economics in the end, regardless if you sell smartphones or porn. And on top of it, there's a very "vocal" audience that's going to come for you if you don't give them what they want when they want it, whether it is a new iPhone model or a fresh batch of piss-intensive DAP porn.
4. "Yeah, but we know most new iPhones are basically the same as the previous version, only with minor improvements: they just put on a new camera and have you buy it at top price", some of you might say. And yes, that is also true. But how many smartphone users are clever and tech-savvy enough to weigh those elements before making their next buy? The same could be said of heavy porn users, some of which are indeed very vocal in this forum in requesting their ideal man-to-girl ratio, their favourite set of moves to be performed over and over again, or simply to have the studios book the talent they want only....or else they will threat with boycott (?).
I have actually boycotted some studios from May to August this year, but it was not because of actress(es) I wanted booked again or sex and side-fetish acts I wanted included, but about fairness for performers in a broader sense. It was a stand for the workers against the investors so to say. There were some discussions and explanations and some small changes were made, which made me support most studios again. All but one basically, which I boycott for over 3 years meanwhile for bad business practices stealing models from others and paying really low rates.
I actually deprive(d) myself of dozens of DAP scenes because of this, but I dont regret. It's the stand I had to take. And luckily IV is meanwhile out of biz.
M_sicas_Candido wrote:In my opinion, the cuts for cleaning up the scenes. The environment must remain intact until the end of the scene (it doesn't matter if the floor or sofa is wet, if the girl vomited or any other mess).
Oscar Batty wrote:It seems like you do not know what you are talking about.
Oscar Batty wrote:If I was at your place, I will try to find out why they do these cuts at the first place.
parasitius wrote:5. I would really love if you could just track all the videos I have watched the preview for. I like to go through the daily new releases but sometimes lose track.
M_sicas_Candido wrote:Okay. I'm sorry if what I said sounded absurd. Many who stay in LP like to watch scenes more related to amateur, or even homemade, content; these productions generally do not have rigorous editing work because this is not the focus; It's interesting all gets messed up until the end because that's part of the fetish.
xxxVIPERxxx wrote:Seems like prices have gone up again recently....some GIO scenes are now 16+ tickets, and some AGO scene(s) are 20+ tickets...
xxxVIPERxxx wrote:Seems like prices have gone up again recently....some GIO scenes are now 16+ tickets, and some AGO scene(s) are 20+ tickets...
nilis wrote:beklof wrote:It was interesting, I was just watching a Ria Sunn scene from 2019 called "Ria Sunn takes three cock in the ass" SZ1839 And everything in that scene was better done than in today's scenes! The camera work, the camera angles, the close-ups, the male actors, the bigger cocks, and so on. All of them! And actually, I wasn't surprised at all. I've had this feeling for a while. So the big studios and their scenes are no longer at the same level as they were just a few years ago. When I look at what the major studios have to offer these days, more and more often I turn my head and say to myself...this is boring, seen a thousand times, nothing new, nothing exciting, nothing interesting.
I may or may not have said this before, but even though the perception of scenes' quality is subjective, there are still some specific points to go on about in this --how may I put it?-- never-ending discussion we find ourselves in. For starters, let's consider this situation from a business standpoint:
1. As with other industries such as film or music, and even more so in the era of social media and streaming, creativity is subjected to increasing economic risk, as hardcore consumers are more likely to demand more of the same, whether it is a popular genre as true crime documentaries, reggaeton music, or, yes, a certain kind of niche, hardcore porn, like the one the main studios here deliver.
2. Audiences make these products viable, and hardcore porn users are impatient and somewhat cocky. They want what they want, and they want lots of it promptly. Do you aim for them to cater to something else? Sure, but consider the costs entailed in this noble creative endeavour of yours. What if a new video series based on different ideas or pursuing a fresh style failed miserably and had poor sales? Granted, Netflix productions are way more expensive, though you must also acknowledge analvids is not your average audiovisual provider.
3. Long history short: these are some of the burdens of mass cultural production in year 2023. I know this may sound weird, but it's all about economics in the end, regardless if you sell smartphones or porn. And on top of it, there's a very "vocal" audience that's going to come for you if you don't give them what they want when they want it, whether it is a new iPhone model or a fresh batch of piss-intensive DAP porn.
4. "Yeah, but we know most new iPhones are basically the same as the previous version, only with minor improvements: they just put on a new camera and have you buy it at top price", some of you might say. And yes, that is also true. But how many smartphone users are clever and tech-savvy enough to weigh those elements before making their next buy? The same could be said of heavy porn users, some of which are indeed very vocal in this forum in requesting their ideal man-to-girl ratio, their favourite set of moves to be performed over and over again, or simply to have the studios book the talent they want only....or else they will threat with boycott (?).
5. Was it not about the economics then? It was, yeah. However, power dynamics have changed over the last few years. So, you don't like OF porn? Go talk to Angela White, Riley Reid or Mia Malkova and convince them to stop making millions with their home recordings only because you want them to fuck 5 BBC at once and have these videos released weekly. Good luck with that.
6. I've probably written more than I intended, so I'll end with this: as much leverage as audiences hold today, it is possible for production companies to make their way around this in a manner that business keeps being profitable and the output exciting and creative enough.
It's about dealing with these audiences, yet that's another conversation.
MackZatis wrote:[
From everything I've read, we all want PROFESSIONAL porn....
dap-addict wrote:xxxVIPERxxx wrote:Seems like prices have gone up again recently....some GIO scenes are now 16+ tickets, and some AGO scene(s) are 20+ tickets...
The 16+ TKT Rebel Rhyder scene is so expensive because of all those male first she takes, it seems.
The 20+ AGO 5on3 DAP scene is a price exception dictated by 3 girls booked. That one looks indeed over-priced, especially if you compare it with 6on2 Angels of... pricing. This said AGO offers a few subscription schemes also, thus it's easy to get that scene for much cheaper.
Generally I dont see a price rise!
zraely wrote:Anal Teens seems like an unauthorized clone of Latin Teen scenes?
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