Jimbo8012395 wrote:I felt Whitehard to be a fairly mediocre pornographer who excelled on finding pretty girls who were largely ill-suited to a career in pornography (Sofa Weber etc). Most of his scenes lacked any level of excitement or chemistry. The girls looked like they were there entirely for the money. The piss lilo was really fucking weird and he'd have strange priorities e.g. film a girl doing an anal, but often not DP but DVP or DAP. He'd also often dress up the girls in onesies or other clothes that looked deliberately young. It was really fucking off putting.
Andrew X and especially Giorgio are in a different league as pornographers. Even Erika's better than him.
Then there are rumours of him being a bit of an arse and I can't say that I'm that bothered he's not producing that much anymore.
Not everyone is a fan of seeing 45 year tattoo'd women with gigantic plastic tits take their two-hundred and thirtieth gangbang.
The aesthetic - the costumes - the talent - it was all coordinated to a degree not really seen before and since. The premise was simple ...
Get a super young and fresh looking girl (i.e: Lina Shisuta, Eva Barbie, Elis Benson) - dress them up as much of a loli as possible - and then throw them to a gang of gigantically hung, super thick, (increasingly) black cocks.
The fact that I could put it in one sentence just showcases the pure brilliance of it. And the shoots were great, too. The camera got in there, but you never got the feeling that there was a camera man in the room. Nothing ever felt "by the numbers" like so many of the Giorgio or EKS or likewise European porn theater productions would. It always felt
raw.The girl always looked like she was somewhat in over her head - which is welcome relief from seeing yet another pencil thin, tattoo'd, plastic tit, 1.5/10 face gunko whore grinning at the camera as if stuffing another cock in her skull would somehow beat back the mental illness she's clearly enjoying. The girl's looked and had innocence - and in the hands of Nick - and his camera work - the scenes were raw and vicious, yes, but they were also
intimate.There's a reason all the other studios say shit like, "Man, we really gotta watch what we do, because we might not be able to pay the bills anymore soon ..." and there's a reason Nick decided to go to
fucking Dubai of all places to wait until the temperature came down.
They were in different leagues. Of all the discussions of what porn is - and what it should be - and all the wasted air I see spent here - Nick just went out and
realized what a
gigantic majority of the market actually wanted. And then he took it to the next level. It was so ... refreshing ... seeing someone who just
fucking did it right. Where there being piss didn't matter - because the energy was still so high. Where the girls
actually got fucking naked in the scenes. Unlike the other studios, there was none of this watching them bumble or clown around in fucking high-heels or keep their entire costume on for the whole set because (realistically) nobody wants to see what's underneath it, giving the impression that that's what they're used to anyway, as it makes it easier to just go in through the front door of the 7-11 afterwards and pick up a pack of smokes.
A fucking studio who translated the vast majority's dirtiest and darkest fantasies - and then pulled off all the highest level accomplishments by maxing out every single one of those desires in the most over-the-top way possible (fucking
professional.)
Yeah, Nick might not have been the nicest guy. I can't argue against or for that. I don't know. Seems to be a lot of people agree that he was. Okay.
But it's like when the biggest goal scorer on your team is a bit of a prick. You
don't really give a shit. You just happy he pumping those goals.
All the bitching and bringing it up after they're gone to a different team is just a sad (but understandable) cope in dealing with what was lost.
Erika didn't come anywhere near what Nick did afterwards. Neither did Natasha Teen (but she came
fucking close). Still, to this day, Nick's work looks like it's a generation ahead of everything that's coming out
now. People tried to lift his style
and they couldn't. The weight was too much for their talents. They buckled and under-delivered. Which is understandable when you're going up against a master like Nick was.
I'm sorry - I've seen ... multiple dozens of thousands of hours of porn up until this point. Outside of a few Japanese directors that got supremely lucky on a shoot - and the very best of the best of Giorgio's works - nobody even comes close to matching what Nick did.
And this isn't me being a gigantic fan - even though I am - but just talking realistically with what he achieved with what he had done. Did the girls have a large part to do with it? Sure. They were unbelievably beautiful. But ... everything the shoots were - they matched that beauty - and were worthy of having those girls in those scenes. It was the ultimate package.
You think this entire site going right into the shitter after his studio closed down might have given you a clue as to how momentous his works really were.
Mediocre?
Mind linking me to something that's come out in the past month that comes anywhere close to what Nick could do? 'Cause, from what I can see, at the very best ...
You get a good looking girl going into a room to have sex with a black dude. The end. That's it. It's like watching someone hire a prostitute. That's pretty much every fucking scene these days - even (increasingly, and sadly) from some of the South American studios.
Like, c'mon, Jimbo.
Don't glug the 45 and thick, bazooka tits, and high heel kool-aid too quickly there, Champ.