I want to start by saying that I appreciate your passion and the effort you put into giving constructive input rather than just bitching into the wind. Other posters on this site could stand to learn a thing or two from that sort of mentality. I was in your shoes once and I see you.
And now I have to tear you down, because some of the things you suggested simply aren’t feasible, or they’re not good ideas, and I want you to understand why that is.
otto1219 wrote:where the actresses are allowed to control the flow and the action to some extent, eg, stacy bloom when she has been with anna deville anf Julia north. Especially with Anna D she ran the show. Neither Julia nor Anna will be the same after working with Stacy. It was not the typical GG porn by the numbers by a long shot. It shows what LP can be. Pair Stacy with Lola taylor on her return!!!
I haven’t seen the Stacy Bloom scenes you’re talking about, but I’ve seen others praise them here for the same reasons as you. And I agree that performers should be given more latitude to express themselves within the scenes. The mental aspect of porn is far stronger than most people realize; I believe that audiences
want to see passion in the scenes. They want to feel the lust coming off the male talent, the emotions in their eyes of the girls, and the excitement of the cameraman as he reframes a shot to emphasize something he likes.
Great porn is analogous to a symphony and the director’s role is to play the orchestra. Part of doing it well is choosing performers who pair together well. There’s a bit of trial and error involved in that process, but the longer a studio has been around, the more intuitive it gets for them.
Where the personalities of the actresses are allowed to show through---you allowed it in your scenes with Francys Belle. Francys belle when shot by gg or sz is just a cardboard cutout that could be replaced by X, Y or Z
I don’t fully agree with that, but I do see your point. Francys has a fierce personality and a devious mind on-set. I think that comes through in all of her work to varying degrees.
I will add, do not let the male "talent" control the action. They are all pretty much driftwood in the sexual creativity dept. They are below even gg and sz.
Talent should never control the scene. It is the director’s role to do that. You can occupy both positions at once (as Rocco Siffredi does), but that’s pretty rare. Why? Because being a director involves a lot of other stuff both in front of and behind the camera. You’re playing the orchestra. Everyone under you is playing their part, but it’s up to you to find them and select the ones who do their jobs well. You’ve got to approve the wardrobe and HMU (hair & make-up). You’ve got to make sure the lights are satisfactory. You’ve got to come up with the concept of the scene and plot out the scenario for the actors. It’s much easier to shoot porn when there’s a “script” prepared ahead of time, and that’s exactly what we do, before every scene. It’s not a free-for-all. A lot of thought goes into all of these elements because they not only need to work well and gel together smoothly, but they need to be exciting enough to sell briskly and, hopefully, make a profit. The landscape is more competitive than ever, so that’s no easy task. Good enough can’t be good enough; you strive for greatness or you don’t last very long.
That, to me, is the value of a director, and the reason why studio porn continues to offer an experience customers are interested in buying, even in the face of competition from [spam] and similar “new media” alternatives.
Male talent doesn’t control the scene. Their job is to control the girls according to the “script”.
there is still the ever-present problem of ONE FUCKING CAMERA, thus ONE POV, shot by "jitterbug" the cameraman. Someone get him to take his ritalin before the shoot. Or better yet, replace him with someone who knows how to shoot video.
There are MANY studios now that are shooting with accessory Go Pros or similar small hand held cameras and then in post simultaneous images are shown in split screen to great effect.
the concept of "post processing" is probably foreign to many of the "directors" at LP. They haven't learned about two cameras, or three.
This is a matter of opinion, but GoPro’s look cheap and don’t come close to the aesthetic of a proper 4K cinema rig. Split screen is cheesy and distracting. The eye wanders and doesn’t know where to focus. The benefit of having one POV is to provide a clear visual “narrative” (for lack of a better word) and maximum control over the angles in the final product. There’s a fair amount of subliminal messaging involved in camera work as well. If you want the audience to focus on something, you can achieve that with subtle framing changes.
Again, it’s a matter of opinion, but I don’t much care what other studios are doing and no self-respecting director should. Take inspiration from the work of others, if and when it strikes you, but don’t copy another person’s style and never, ever do what you think you’re “supposed” to be doing if it doesn’t speak to you.
And the best advice: shoot far fewer scenes of much longer duration within a video. Linger when you have a winner of a frame. And find someone who knows what a winner is, not the usual camera crew.
That’s bad advice. People have to eat, man. Fewer scenes of much longer duration would limit your profit potential. You’d be giving away value, which is stupid, and anyway, who’s got the stamina for a 3-hour porn binge? Is anyone really going to watch a 3-hour long scene uninterrupted? That sounds like porn tailor-made to be scrubbed through, and I’m sorry, but I have no interest in designing scenes to be skipped around. (That part about stamina goes for customers as well as performers. You really want these guys to go 4+ hours without stopping? Are you trying to kill them? Or alternatively, you want these shoots to last all day? The girls can’t eat before an anal scene, so they’d probably pass out!)