justinwarren41 wrote:Colombian girls going down to Brazil to shoot for Yummy has been great in recent months Daniela Ortiz, Daniela Garcia/Athenea Rose, Yessica Bunny, Breiny Zoe, Lore Hot, Lucy Mendez, Little Chloe (Venezuelan based in Medellin) but these are all independent girls and most of the above have been to Europe for tours over there. So Natasha tries to keep her new girls exclusive as long as she can.
But sure, more Elina Sands, Camila Cooper, Jana Red would be a great thing. Just not sure how soon we will see that. They are all absent on social media promoting there stuff so I don't see other studios trying to reach out to them which is too bad
thanks for the comment, Justin
i agree with you that the more girls are able to move around the studios the better things get. for us, as fans and customers, we ge more shoots with our favourites and more variety to choose from.
and it's also good for the girls, who get to try out different things with different directors and studs at the different studios (each having their own signature 'house style'), which all helps models to become more experienced and more rounded as professionals
and obviously, the more places a model can shoot, the more she can potentially earn.
any given studio can only shoot so many scenes in a week (according to staff and facilities). therefore if a model has just shot for them, she may not be needed again for weeks/months. so if she is free to move around, a model can bridge the gaps between her shoots at one studio with shoots at another to cover her ongoing expenses
but i understand entirely Natasha's reasons for wanting to keep new discoveries in house as long as possible. the obvious reason is exclusivity. if that girl becomes popular quickly then all her fans will have to buy natashateenstudios (nts) releases or do without. but another reason may be that afaik the brazilian studios rates are (depending on who the performer is) generally a bit higher than the going rate in colombia
clearly natasha's concern is that after she has done all the hard 'groundwork' - scouting the model, teaching her how to perform to camera like a professional (and not an amatuer OF girl), putting out early content featuring them as unknowns (with no guarantee of making her money back, let alone a profit) - she doesn't want them to run off to brazil for better money (and never come back) as soon as the model deveops a following
that's an entirely reasonable concern, and though i want to see my favourites shooting everywhere all the time, i respect natasha's model retention practices as fair and entirely justified (at least in the initial stages of a model's career). so while it's a bit frustrating when releases seem slow in coming, if natasha's business model depends on that system to sustain itself, i can't object to that