Giorgio Grandi wrote:Location/Story:
Giorgio Grandi wrote:Story:
misangrenegra2 wrote:Ask for new places outside of your studio is insane in my opinion.
Giorgio Grandi wrote:... but she worked hard to get it and she was supported also when she was boring like a sloth (not the funny one from Ice Age)
otto1219 wrote:Magizi, DAPaddict, Jocke, Wotan29 and many others have been saying this for a long time, yet the answers provided are not at all pornographically based, but based on middle management accounting arguments. I guess LP has found Excel spreadsheets sexier than good porn.
Wotan29 wrote:misangrenegra2 wrote:Ask for new places outside of your studio is insane in my opinion.
No, it´s not insane. Why the fuck shouldn´t it be possible, from time to time shooting a scene outside the "porn factory"?
Just because it´s more convenient in terms of financial, technical, logistical or whatever reasons?
Come on, for sure LP generally and Giorgio especially makes some good money (pretty okay and otherwise they wouldn´t shoot so many scenes...).
So let´s release some "special goodies" - I repeat myself - just from time to time, e.g. once a month.
And those scenes in new locations should be the ones with a storyline and the location should fit to the storyline.
Giorgio Grandi wrote:Camerawork: oh came on, you even praised the afford of sineplex cameraman, when for fuck sake my cameraman was the best director sineplex ever had, praised from everyone here on forum until she worked for me, than he became bad and now even somehow considered lazy. He shot the same, just with a different mechanic.
Giorgio Grandi wrote:What you did not get, and Im pointing the OP is that you are not a normal customer
Giorgio Grandi wrote:I wrote some interesting stuff in my last post, you (posters) totally ignored just to support your point, I would post you again, so you maybe read it better.
- An Arwen Gold or a Whiska or Brittany do not born every day and even if she does, she maybe does something else than porn, because real money are elsewhere.
- We can change a picture on the well, change a couch, but for fuck sake we cant make a model out of a girl that maybe shot already 10-20 scenes and doesnt know how to old herself correctly on a reverse cowgirl, some doesnt even know how to correctly place herself in doggy, you should fucking tell me how can we arrange this when we shot a BG than DP and sales are too low to continue with more shooting. You do not learn to be Arwen gold, you born like this, you can became like Nicol Black, but she worked hard to get it and she was supported also when she was boring like a sloth (not the funny one from Ice Age)
- If you want a model presented like a gourmet, you have to buy her scenes otherwise very often its over long before she understand how to turn herself from a calf cub to a filet mignon.
- A cook cant take a calf cub and magically change it into a succulent fillet, I can change the plate, put you on a better table with view of Niagara Falls, but you still have a fucking calf cub in front of you.
- If you want a filet, you need to let the calf cub to became a veal, feed it with milk first, good grass for just few weeks after and than butch it properly when it is ready, so you will have your fucking filet mignon.
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There are many reason why your perception of content is like it is:
- you watched too much porn
- you pretend too much from inexperience models
- you do not support enough the new models unless they do not like like Nicol Black, with the results the models do not step on next level that would allow more creativity
I am not telling studios do not do mistakes, what Im telling you, and I personally talk about my production, is that there are many problematic you ignore.
avanfurwet wrote:Regarding fatted calves and filet mignon:
It's a risk for the studio to shoot, and a risk for the customers to buy, scenes from a new/developing model in the hope she will develop. Some models will bloom like a flower. Some will continue but not develop. Some will not continue.
dap-addict wrote:This all said for me posters and later also Gio perverted my OP with those "fatted calved and filet mignon" quite a bit:
My OP was really not about the kind of girls GIO shoots, but the mood conveyed in the films shot by GIO - and also gonzo and IV - often: A cold, distanced factory camera.
Giorgio Grandi wrote:Camerawork: (...) Oh guys, the cameraman frame the people on stage, he cant do a lot if the action is boring, if the models cant keep a position as she should or if she is not able to make anything different than standard, or if he is forced to cut every 5 minutes because she continue to shit herself except cancel the scene or keep the more easy script it possible to give at least a chance to the girl.
How he does this?
April Fool, the answer is moving more than necessary, otherwise the cameraman (and the users) would fall at sleep. I do not get how people so into details and commenting, never get that the less intese is the action, the more the camera moves. ABC of videography (and specially of pornography), you learn this the first month you shoot anything. Its called "video dynamic" or "effective video dynamic", I dont remember exactly now.
buddyevo wrote:LP was best years ago when Goldie, Arwen Gold, Sofi Goldfinger, Roxy Dee, Lita Phoenix, Victoria Daniels,Leona Levi, Maria Devine when they were still around. Now it all looks the same and boring. LP will never be what it was from 2014 to 2018. From around 2018 its been all the same and boring scenes.
Wotan29 wrote:misangrenegra2 wrote:Ask for new places outside of your studio is insane in my opinion.
No, it´s not insane. Why the fuck shouldn´t it be possible, from time to time shooting a scene outside the "porn factory"?
Just because it´s more convenient in terms of financial, technical, logistical or whatever reasons?
Come on, for sure LP generally and Giorgio especially makes some good money (pretty okay and otherwise they wouldn´t shoot so many scenes...).
So let´s release some "special goodies" - I repeat myself - just from time to time, e.g. once a month.
And those scenes in new locations should be the ones with a storyline and the location should fit to the storyline.
grey00owl wrote:Just discovered this interesting thread: praise to dap-addict for having opened it.
Thanks to Giorgio too for having accepted the discussion and shared his opinion. Where are Luis and Joachim? It would be interesting and useful to hear their opinion too.
Wotan29 wrote:LP directors (and male performers, too): Listen carefully to those 100 seconds. Porn is not about going through positions, it´s about passionate fucking in an atmosphere with fun. No matter how rough things are going.
I guess, if Rocco would see this almost depressing atmosphere in the long Gonzo BTS, he would say to the director (and probably the male performers, too - though they are dependent on the style of directing): "Luis, find yourself another job and please don´t ever enter a porn set again".
Here´s the link:
https://daftsex.com/watch/-135632718_456243107
Wotan29 wrote:Lately I watched a BTS, where director John Stagliano and performer Markus Dupree had a little talk. As much as I can´t stand Dupree´s tipfucking and overacting, according to this short sequence he seems to be a smart guy in private life.
From 21:23-23:05 they talk about Rocco Siffredi and his passionate way of directing (and of course his passionate way of performing). Dupree tells, that he once on set asked Rocco "How many positions left?" and Rocco answered totally annoyed "You can go home".
LP directors (and male performers, too): Listen carefully to those 100 seconds. Porn is not about going through positions, it´s about passionate fucking in an atmosphere with fun. No matter how rough things are going.
I guess, if Rocco would see this almost depressing atmosphere in the long Gonzo BTS, he would say to the director (and probably the male performers, too - though they are dependent on the style of directing): "Luis, find yourself another job and please don´t ever enter a porn set again".
Here´s the link:
https://daftsex.com/watch/-135632718_456243107
magizi87 wrote:And IMO if the action feels boring, I would put the blame on the actors, not the guy holding the camera.
dap-addict wrote:Czech white GIO Prague team works like a clockwork thanks to quite fix roles. Tiny Tom doing always first DAP takes in almost every position, Angelo and Neeo working together mostly and 4th stud supporting rather. 4th stud is Fly or recently missing Ricky, or Mr. Anderson (formerly Rocket) or Robin Reid recently. Anderson and Reid are commuting from outside and they still have to find their roles. Anderson was the best in manhandling 2y ago when he still mainly worked in Prague. Now he lost his place in the team so to say. Robin is completely new, but he's more active and thus better even than much more team accustomed Anderson. Strange, but so it is. Don't know whats happening with Anderson/Rocket in Prague!
I dont care much for studs really, but always same team roles indeed tires out a bit. I recently often skip Tiny Toms takes because its always the same, always same positions, always first etc. But I do realize he's a good and very reliable stud doing that very crucial job of opening the girls up for the rest of the crew!
magizi87 wrote:... and giorgio refuted with "maybe Gonzo realized that quality of action doesn't matter in the presence of sales" ...
Giorgio Grandi wrote: Maybe Gonzo discovered that to have one performer or another doesnt change much the results of the output on sales level
bob94600 wrote:Even if I don't agree with many Giorgio explanations and choices (women, guys, kind of scenes, etc.), I think we all must respect him for being a real producer who take risks and answer to the questions of consumers.
That's a proof of intellect, in quality of producer, to keep listening and reading what people think about his work.
For Luis, and Gonzo in general, I don't even know what to say anymore...This studio is (sorry Giorgio) the spinal column of LP, and they are loosing more and more consumers, respect and interest days after days.
Luis is clearly not the right producer for this studio...With all we can say, all the mistakes he makes, and his sales going down, it's an EVIDENCE !!!
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