misangrenegra2 wrote:He wrote that country because Russian girls doesn't need visa, being his main nationality of girls that he would hire.
Chimpy.677 wrote: I would definitely film porn only with 18- to 19-year-old girls. I would look for girls who are just starting out or have just started college...The idea is that no girl has more than 10 scenes, so as not to run into the same problem we have here on LP/AV, where some girls have done about 100 scenes and constantly repeat the same actresses, which makes the site totally boring and undesirable.
Chimpy.677 wrote: I would always bring in the most beautiful girls, even if they have to pay a lot for it.
Jimbo8012395 wrote:Couple that with filming only 18/19 year old girls and you'll potentially bankrupt your studio very quickly because the talent is expensive and rare thus leading to limited content to sell. It's a vicious circle.
You could only do what you've said above if you had an almost bottomless pit of money and were prepared to run the studio at a massive loss.
Chimpy.677 wrote:As I said before, I'm not interested in the quantity of scenes. I want few scenes and very high quality, the best of the best. If you have to INVEST a lot, you invest.
dap-addict wrote:Chimpy.677 wrote:As I said before, I'm not interested in the quantity of scenes. I want few scenes and very high quality, the best of the best. If you have to INVEST a lot, you invest.
Problem is that with such behavior you harm the whole porn biz because you over-pay the local going rate many times. This was done by Rocco in Russia around 2010 and also some US directors in Budapest and Prague around 2005. Budapest collapsed as a hardcore anal porn destination, Prague survived. in Russia Rocco luckily didnt stay long, so it survived until Putins War clampdowns, basically almost 15 years. Still Budapest died which is a big loss felt until today.
jjwhite1985 wrote:Jimbo is absolutely correct in both points here. A couple of problems you have chimpy, one is that you're thinking as a fan and not as a business. Your proposal would run out of both money and girls pretty quickly. I mean it's fine if you've either got a bottomless money pit or only want to do it for a short time in order to make the specific scenes you're interested in, but there's no sustainability there.
The other problem is that you're probably overestimating the appeal of the specific type of scenes you want to make and girls you want to shoot with. You're clearly not in the majority thinking Rocco is the greatest and LP only produces trash now. And the obsession with only seeing new girls and no established stars is not popular either. Majority of people want to see their favorite pornstars in action, they also bring a fanbase with them that helps to sell the scene. If you're basing an entire studio on only shooting with girls nobody has ever heard of you're immediately limiting the amount of eyes on your studio.
Chimpy.677 wrote:As I said before, I'm not interested in the quantity of scenes. I want few scenes and very high quality, the best of the best. If you have to INVEST a lot, you invest. Besides, the truth is, if I had a lot of money, I wouldn't mind losing money with the company. I see porn as art, that's why I always want to see quality. The rest doesn't matter to me, because when you do a very high-quality scene, that scene endures over time and becomes legendary.
On the other hand, what they do here is release scenes for the sake of releasing them, simply to fill the release schedule and to satisfy the client. That's why they produce scenes of terrible quality. In the end, you're wasting money and you have dozens and dozens of horrible scenes. On the other hand, if you do what I say, a single one of those scenes is worth more than all the others combined.
And obviously there will be few girls, but that can be solved by investing a lot of money and also having premieres every so often, because as I said, the important thing is quality, there's no problem waiting 15 days for a scene as long as it's excellent.
Chimpy.677 wrote:dap-addict wrote:Chimpy.677 wrote:As I said before, I'm not interested in the quantity of scenes. I want few scenes and very high quality, the best of the best. If you have to INVEST a lot, you invest.
Problem is that with such behavior you harm the whole porn biz because you over-pay the local going rate many times. This was done by Rocco in Russia around 2010 and also some US directors in Budapest and Prague around 2005. Budapest collapsed as a hardcore anal porn destination, Prague survived. in Russia Rocco luckily didnt stay long, so it survived until Putins War clampdowns, basically almost 15 years. Still Budapest died which is a big loss felt until today.
And to no one's surprise, Rocco managed to film with a ton of young and extremely beautiful women around that time; many of those scenes are legendary today. That's what I say and what I want. Just think, all the scenes being filmed now, nobody cares about, it's trashy porn, it's like the junk food of porn... On the other hand, Rocco made history, invested a lot, and also ended up becoming a legend as a director.
xxxVIPERxxx wrote: Rocco's anal performances, and rough sex was legendary.
He would push hot girls' heads down the toilet, spit at them, slap them, do hard anal until they screamed in painal lust.
Those scenes are indeed legendary, and will stand the test of time...as do the very best of Max Hardcore or Meatholes scenes.
rakdobi wrote:Brokenlatina but with russian girls. next door, without all the makeup. No stupid tattoos, fake boobs And a disproportionate body. Without a script, giving free rein to my actor, looking for someone who knows how to function with a girl and doesn't have to have 5 other people on set with him because they don't have enough power. No pee, no weird stuff, just pure rough sex with deep throat sweat and tears to the limit
feltrough wrote:you all thinking as fans not as directors or studio owners you have no idea what really sells. you talk like you have money to do porn for yourself not to sell and earn money. there is a difference.
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